Read more and see the images here:
Timeout New York
“Hey, you’re listening to Flappy and the Bean, we’re here with Charrr-lize Theron! She’s going to recite all of your favorite Aeon Flux lines this morning….So that movie Monster,how come there were no werewolves in it?” It takes roughly 20 seconds, three fake morning-show DJ jokes and one old-timey car horn impersonation for Patton Oswalt to reduce his statuesque Young Adult costar into a crumpled, hysterical heap in her chair. In Jason Reitman’s new movie, Theron’s character Mavis—a divorced, depressed tween-fiction writer who returns home to impulsively destroy an old flame’s marriage—bonds with Oswalt’s Matt, an equally damaged fortysomething male, over their mutual misanthropy. Sitting in this hotel room, however, it’s the duo’s ability to crack each other up via rat-a-tat riffs on rom-coms, childhood costumes and proposed titles for this article—Oswalt’s “The Gazelle and the Gnome” wins by a long shot—that forms the backbone of their real-life affection friendship. (A few days after this interview, the stand-up comic presented a special award to the actress at the Gothams Awards and both, by all accounts, brought the house down.) Through sheer force of will, TONY somehow slipped in a few questions about the movie in between the patter.
Read more and see the images here: Timeout New York
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